The work investigates how reality is constructed through perception, scale, and observation. Both in everyday experience and in the classical view of the natural sciences, the world is often understood as a stable continuum: an ordered sequence of objects and events that can be identified, measured, and described through models. This idea forms the basis of our usual way of understanding reality, yet at certain limits it ceases to hold and reveals its illusory nature.

Every description of reality depends on the models we use, the scale from which we observe, and the formal structures we apply to interpret it. The video explores this relationship by making visible the transition from the macroscopic order of recognizable objects to a subatomic domain governed by probability.

The central element of the work is the silhouette of a cat, initially represented as a continuous, regular, and smooth curve. This form functions as a mathematical symbol of a world perceived as stable, predictable, and calculable, and embodies the assumption that reality can be understood as a coherent object. Throughout the video, this assumption is systematically called into question.

The animated ceramics thus function as a visual interface between the physical object and a reality governed by probability. They make visible that stability is not an inherent property of things, but the result of scale, materiality, and observation. In this context, the digital does not act as a simulation, but as a tool for knowledge.